Opera Gallery Geneva presents Falling in Place, an exhibition by American-Canadian artist Alex Sutcliffe. Born in Chicago in 1997 and based in Halifax, Canada, Sutcliffe unveils a series of 15 works reinterpreting traditional painting in the digital age.
Drawing inspiration from the digital world, Sutcliffe integrates it into a traditional artistic approach, emphasizing gesture and material. His works blend pictorial heritage with fleeting digital fragments, transforming historical paintings found online. Through techniques like blurring, smudging, and erasing, he reinvents these images on canvas, adding tactile depth beyond digital reproduction.
Sutcliffe's meticulous layering technique, resembling a “digital eraser,” reveals hidden layers and contrasts blurred areas with sharp contours. This interplay evokes both ancient stained glass and digital interference, reaffirming the materiality of painting in a digital era.
Falling in Place bridges tradition and innovation, exploring painting's enduring relevance in a fast-paced, virtual world. Sutcliffe's unique vision redefines painting as a medium of perpetual evolution, connecting the past and present through a contemporary lens.
Alex Sutcliffe, born in Chicago in 1997, lives and works in Halifax, Nova Scotia, Canada. After graduating in Visual Arts from Nova Scotia College of Art and Design University in 2020, he quickly established himself as a rising voice on the contemporary art scene.
His work explores the tensions inherent in today's visual culture. Focusing on the illusionistic qualities of paint, he questions the relationship between surface, texture and layering. Traditional painting occupies a central place in his work, where masterful gestures and meticulously applied layers dialogue with occasional interventions of digital techniques. This subtle combination enables the artist to explore new visual dynamics while maintaining a deep connection with the materiality and authenticity of the painterly gesture.
Alex's work has been shown in renowned galleries in London, New York, Toronto and Halifax. His work is also part of important public collections, including the Global Affairs Canada Visual Art Collection and the Nova Scotia Art Bank.